The Best, Seymour Duncan pickups are in stock!!!


	SSL-1 An exact replica of the original Alnico V Stratocaster® pickups. The same type of magnet wire is used, as well as the same number of coil windings. The staggered rod magnets are hand-ground, then aged by the exclusive Dun-Aged™ process, lacquered bobbins and cloth-braid hookup wire complete the vintage look. Every detail is included to duplicate the bell-like tone and the high-end bite that made the vintage Strat® famous. Available in left-handed version Available reverse wound, reverse polarity (RW/RP) Available in calibrated sets with a RW/RP middle
	SSL-3 This is the next step up: Hotter than the vintage models with more sustain, fullness and output. The raised flat pole pieces are taller Alnico V magnets for a stronger and deeper magnetic field. Extra coil windings give you extra power. Pickup cover included Available RW/RP Available in calibrated sets with a RW/RP middle
	SL59-1 little ‘59 P.A.F.-voiced single-coil-sized humbucker. Great for country, jazz, blues, funk, classic rock and heavy rock. This little brute was designed to impart the warm, smooth tone of an old Patent Applied For humbucker in a direct replacement, single-coil size. It possesses an even, dynamic response, and its adjustable pole pieces allow the guitarist to fine tune the string balance and dial in just the right amount of punch. Compared to the JB Jr., it has less output and more upper-mids. Comes with four-conductor hookup cable. USA Patent No. Des. 355,207
	STL52-1, STR52-1 - Here's how the Five-Two concept works: Seymour utilizes sand cast alnico 5 magnets on the three low strings. This adds more definition and punch to the bottom end. Seymour uses sand cast alnico 2 magnets on the three high strings. This gives the player a warm and smooth top end without sacrificing that great Tele® "twang." Tele® players often complain that their low strings sound "mushy" and their high strings are too bright - especially in the bridge position. The Five-Two concept counteracts this phenomenon. If you look closely at the pickup, you can actually see the difference between the two magnet types.The result is an all-around, extremely well-balanced pickup. The Five-Two has traditional output and vintage appointments such as vulcanized fibre bobbins, formvar wire, a vintage magnet stagger and waxed cloth hookup cable. A custom bridge version is available for more output in the bridge position and a reverse wound, reverse polarity middle pickup can be used to create a hum-canceling effect when used together with the bridge or neck pickup.
	SHR-1 Hot Rails™ are one of the highest output pickups we make. It's a humbucker that fits into a normal single coil slot, so you get the noise canceling effect without cutting a large hole in your guitar. The two thin blades with powerful coil windings give you the incredible sustain and a fat, full sound that's needed for playing heavier rock music. This pickup responds to the subtlest finger movements. Available in black or white Four conductor cable
	SSL-3 Calibrated set with RW/RP middle pickup. This is the next step up from the SSL-5 and SSL-6 with more sustain, fullness, and output - and less treble response. The raised flat Alnico 5 pole pieces are taller for a stronger and deeper magnetic field. Extra coil windings provide extra power making this pickup great for heavier music styles. White cover included.High output true single-coil for warm instruments. Recommended for country, pop, blues, classic rock and heavy rock..For heavier and brighter-toned instruments with ash or alder bodies. Works well with maple or rosewood fingerboards.
	SPH90-1 Real-deal single-coil P-90 sound in a direct replacement for humbucker-equipped guitars. Phat Cats provide a great combination of output and high-end response. The tone is big, fat, and punchy with enhanced upper-mids for extra "cut." When used together, both pickups are hum-canceling. Choose nickel or gold-plated cover.
	SH1-'59 Versatile P.A.F.-type humbucker. Great for country, jazz, blues, funk, classic rock and heavy rock.Late-‘50s, vintage-correct, humbucker sound. Warm and crystalline clean tones. Full and bright distorted tones. Smooth sustain. Classic appointments include plain enamel wire, long legged bottom plate, vintage single conductor cable and no logo. Compared to the SH-55 Seth Lover, the ’59 has slightly more scooped mids and is vacuum wax potted for squeal-free performance.For balanced and warm instruments. Works especially well with mahogany bodies and rosewood fingerboards.
	SH-2 -- This pickup is for players who need an accurate, clear tone for fast jazz runs. The brighter sound has slightly less output and is a good match with most pickups. A popular combination is The Jazz™ in the neck with either a JB™ (SH-4) or Duncan Custom™ (SH-5) in the bridge. Available in black, zebra (cream & black), reverse zebra and white as well as the following colors at no extra charge -- red, red & black, pink, green, light blue, dark blue & yellow.
	SH-5 Duncan Custom Beefed up Patent Applied For tone for a hard-driving, kickin’ sound with the right balance of power, sustain, and distortion. This pickup cuts through with a distinctive high end and midrange attack. The ceramic magnet and custom coil design give it compressed dynamics, an enhanced harmonic structure, and a punchy bass. Perfect for dropped tunings without “mushing” out. Comes with four-conductor hookup cable “P.A.F. on steroids” tone. Used for classic rock, heavy rock, funk, punk, R&B, metal and drop-tunings.
	SH-11 Custom Custom The Custom CustomTM is our SH-5 Duncan CustomTM humbucker with an Alnico II magnet for warm and smooth highs, more midrange, and a spongier bottom end than the SH-5. It’s a good choice for players who need a traditional vintage tone with increased output. Comes with four-conductor hookup cable. High output humbucker for use in bright guitars. Great for pop, country, blues, classic rock and heavy rock.
	SH-4/TB-4 -- A completely balanced coil configuration produces great harmonics and a high output with just the right blend of sustain and distortion. You get the best of both worlds: from sweet warm tones to raw rock 'n' roll. Combine this with the (SH-2) Jazz Neck and you've got Seymour's personal favorite combination. Available in black, zebra (cream & black), reverse zebra and white as well as the following colors at no extra charge -- red, red & black, pink, green, light blue, dark blue & yellow. Recommended for Bridge position. Four conductor cable, with traditional or Trembucker spacing. Also for 7-string guitars, available in black only.
	SH-5/TB-5 -- Beef up the sound of the Patent Applied For pickup and you get a hard-driving, kicking sound with just the right balance of power, sustain, and distortion. This pickup cuts through with a distinctive high end and midrange attack. Available in black, zebra (cream & black), reverse zebra and white as well as the following colors at no extra charge -- red, red & black, pink, green, light blue, dark blue & yellow. Recommended for bridge position. Four conductor cable, with traditional or Trembucker spacing. Also for 7-string guitars, available in black only.
	SH-6/TB-6 -- The Duncan Distortion™ gives you high output while retaining clarity. A massive ceramic magnet and hot symmetrical coils deliver tremendous power and raw distorted rock sounds. Available in black, zebra (cream & black), reverse zebra and white as well as the following colors at no extra charge -- red, red & black, pink, green, light blue, dark blue & yellow. Four conductor cable, with traditional or Trembucker spacing. Also for 7-string guitars, available in black only.
	SH-55 -- The SH-55 was designed jointly by Seymour and humbucker inventor Seth Lover. Just like the original 1955 P.A.F.s, the SH-55 utilizes a nickel silver bottom plate, butyrate plastic bobbins; plain enamel wire, an Alnico bar magnet, a wooden spacer, and black paper tape. The SH-55 uses a nickel silver cover instead of brass, which magnetically eliminates too much of the pickup's natural high-end tone. To be completely true to the original design and tone, the pickup is not wax potted. The tone is vintage P.A.F. The neck pickup will warm up even the coldest guitar. And the unpotted covers give the bridge pickup just enough boldness to break up early and really cut. Also available with a gold-plated cover. Single conductor cable standard. Four conductor cable available upon request
	If you’ve followed Pantera’s rise to the top of the metal heap, then you’re already well aware of the searing, crushing, metal massacre that is Dimebag Darrell’s signature guitar tone. Now, that tone is yours with the SH-13 Dimebucker™. The Dimebucker uses a powerful ceramic magnet coupled with stainless steel blades for boot kickin’ attitude. The secret to the Dimebucker’s hard-hitting crunch is the small amount of metal mass in the core of the pickup. This allows the SH-13 to have both high d.c. resistance and a high resonant peak. The result is a high-output, aggressive humbucker with lots of treble bite and clarity, as well as punchy bass response and exceptional dynamics. The Dimebucker is perfect for heavy rock and metal; and it rocks equally hard with tube and solid-state amps.The SH-13 is available in any color you want, as long as it’s black. It includes mounting hardware, including a custom mounting ring, and a detailed schematic. The Dimebucker is hand built in Santa Barbara, California.
	SPB-3 -- This Precision pickup is for musicians who want maximum output and extended frequency range. Large quarter-inch wide pole pieces expand the magnetic field and extend the frequency range from low to high end for a fat, full, punchy sound with midrange presence. The Seymourized ™ design balances the coils with the magnets for great sustain and harmonics. Pickup cover included
	STK-J2 -- A stack pickup with lots of output. Twenty percent more coil winding for punchy bass work without the single coil noise. Like the Classic model, we calibrate the neck and bridge models differently to compensate for both string spacing and string excursion in each position. Pickup cover included
	Woody XL™ At the top of the Woody™ line sits the XL. It features our Stack® hum-canceling design together with six fully adjustable pole pieces for maximum flexibility in differing string gauges and neck radii. Like all the Woodys, the XL is housed in a beautiful chunk of hand-polished rock maple. The tone is clear and accurate, noise free, and impervious to feedback.
	The Tweak Fuzz features a six-position “Tweak” switch to voice the fuzz tone. The basic tone will be familiar to those who remember the rich, lush, vintage fuzz tones of the ‘60s pop festivals. But with the addition of the Tweak switch, the player can now create a myriad of totally unique fuzz tones, making the Tweak Fuzz an incredibly versatile pedal for electric guitar and bass. Discrete, Class A, low-noise transistor with true bypass. Steel chassis. Runs on a single 9 volt battery. Production version of boutique fuzz pedal that features a six-position “Tweak” control for tonal versatility. Great for pop, classic rock, heavy rock, punk and metal.
	The first effects pedal designed specifically to work together with the pickups in a guitar to achieve optimum gain and resonance for all tonal applications. By rotating the gain control knob you can add pure, flat-EQ gain, ranging from 6dB to 25dB! The Resonance Switch drops the resonant peak of a single coil pickup up to 5KHz, making a single coil sound like a full and fat humbucker. Features fully discrete Class A circuitry along with true bypass. Comes in a heavy-duty steel chassis and runs on a single 9 volt battery.

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